
There are a few additional artists whose work is interesting and should probably get some attention, but about whom I have fairly little information or just not enough prints to make viable individual pages, so I am just inserting a few of them here. If any of you have additional pointers to websites or other information about them, please do let me know.

William Holman Hunt (1827-1910) (English)
The Lady of Shalott (77K)
Isabella (50K)
Anthony Fredrick Augustus Sandys (1832-1904) (English)
Love's Shadow (1867) (42K) Forbes Magazine Collection
Morgan le Fay (1864) (108K)
The Red Cap (1900) (42K) Private Collection
Oriana (1861) (51K) Tate Gallery, London
Vivien (1863) (42K) Manchester City Art Galleries
Proud Maisie (1867) (26K) Victoria and Albert Museum, London
Proud Maisie (ca. 1903) (16K) Victoria and Albert Museum, London
Portrait of Mary Sandys (1871) (47K) Private Collection
Sir John Everett Millais (1829-1896) (English)
Mariana (1850-1851) (63K) Malkins Collection
Ophelia (1851-1852) (100K) Tate Gallery, London
The Order of Release, 1746 (1852-1853) (30K) Tate Gallery, London
My First Sermon (1863) (73K) Guildhall Art Gallery, Corporation of London
My Second Sermon (1864) (55K) Guildhall Art Gallery, Corporation of London
The Bridesmaid (1851) (100K) Fitzwilliam Museum, Cambridge The subject of this painting is worth an explanation. It depicts an old superstition that if a bridesmaid passes a piece of wedding cake through the wedding ring nine times, she will see a vision of her future lover. Her chastity is symbolized by the orange blossom at her breast and accentuated by her veil of orange hair.
Edward R. Hughes (1851-1917) (English)
Twilight Fantasies (51K)
Night with her Train of Stars (71K) City Museum and Art Gallery, Birmingham, England
Arthur Hughes (English) (1832-1915)
Ophelia (1852) (69K) Manchester City Art Galleries Framed Version (104K)
Ophelia - And he will not come back again (1865) (77K) Toledo Museum of Art, Toledo, Ohio
Pierre-Auguste Cot (French) (1837-1883)
The Storm (1880) (72K) The Metropolitan Museum of Art, New York
Springtime (1873) (58K) The Metropolitan Museum of Art, New York
Alexandre Cabanel (French) (1823-1889)
The Birth of Venus (1863) (49K) Musee d'Orsay, Paris
Edmond-Francois Aman-Jean (French) (1860-1935)
Hesiod Listening to the Inspiration of the Muse (49K) Los Angeles County Museum of Art
Arthur Hacker (English) (1858-1919)
Syrinx (1892) (32K) City of Manchester Art Galleries
The Cloister or the World (52K) The Bridgeman Art Library, London
Caspar David Friedrich (German) (1774-1840)
Wanderer above the Sea of Fog (1818) (47K) Hamburg Kunsthalle
Memorial Monument to Gothe (1832) (82K) Hamburg Kunsthalle
The Tetschen Altarpiece (1808) (86K) Dresden Straatliche Kunstsammlungen Gemaldegalerie
Seascape in the Moonlight (ca. 1835) (41K) Leipzig, Museum der Bildenden Kunste
Herbert James Draper (1864-1920)
Kelpie (1914) (93K) Lady Lever Art Gallery, Port Sunlight
Ulysses and the Sirens (1909) (64K) Ferens Art Gallery, Hull
The Lament for Icarus (1989) (64K) Tate Art Gallery, London
A Water Baby (1900) (65K) City of Manchester Art Galleries, Manchester
James Tissot (1836-1902) (French)
London Visitors (ca.1874) (87K) Toledo Museum of Art
Paul Delaroche (1797-1856) (French)
La Jeune Martyre (1855) (32K) Musee de Louvre, Paris
John William Hennessy
Mon Brave (1870) (163K)
Evelyn De Morgan (1855-1919)
Flora, the Goddess of Blossoms and Flowers (1880) (166K) De Morgan Foundation Collection
Joseph Stieler
Portrait of Katharina Bozzaris (ca. 1841-1945) (43K) (Katharina was the daughter of the Greek Revolutionary figure Marco Bozzaris)
Albert J. Moore (1841-1893)
Sapphires (c. 1877) (64K)
A Reader (exhibited 1877) (44K) Manchester City Art Galleries, Manchester, England
Charles Edward Boutibonne (1816-1897)
Sirenes (1883) (41K) Private Collection
Francesco Hayez (1791-1882)
The Kiss (38K)
Willem Martens (1856-1927)
Liefdesdroom (45K)
C. Edmond Daux
Femme Jount Avec Les Colombes (37K)
Wright Barker
Circe (80K)
Elizabeth Gardner-Bouguereau (1837-1922) (American)
Soap Bubbles (c. 1891) (49K)
Dans le bois (In the Woods) (1889) (40K)
John Collier (1850-1934) (English)
Queen Guinevere's Maying (246K)
Amaury-Duval (1808-1885)
Madame de Loynes (1862) (21K)
Eugene de Blaas
Title Unknown (c. 1912) (31K)
A Venetian Beauty (43K)
Sir Edward James Poynter (1836-1919) (English)
On the Terrace (54K)
The Cave of the Storm Nymphs (61K)
Luis Ricardo Falero
The Lily Fairy (1888) (46K)
Marcus Stone (1840-1921)
Two's Company, Three's None (exhibited 1892) (71K) Manchester City Art Gallery, England
Abbot Handerson Thayer (1849-1921) (American)
Angel (1889) (35K) National Museum of American Art, Smithsonian Institution
Winged Figure Seated upon a Rock (51K)Freer Gallery of Art, Smithsonian Institution
Thomas Ralph Spence (1855-1918)
Sleeping Beauty (129K)
Charles Sprague Pearce (1851-1914) (American)
The Shawl (ca. 1900) (45K)
Marie J. Naylor
Cupid (51K)
Sir Frank Bernard Dicksee (1853-1928) (English)
Le Belle Dame Sans Merci (65K)
Chivalry (c. 1885) (49K)
The Two Crowns (1900) (84K) The Tate Gallery, London
Hippolyte Flandrin (1804-1864) (French)
Naked Young Man Sitting by the Sea (35K)
Michael Nicolas-Bernard Lepicie (1735-1784) (French)
Narcissus (1771) (41K) Musee Antoine Lecuyer, Saint-Quentin, France.
Jean-Leon Gerome (1824-1904) (French)
Gladiators (51K)
Pygmalian and Galatea (85K) The Bridgeman Art Library, London
Phryne (31K)
Henry J. Hudson
Neaera Reading a Letter From Catallus (47K)
Frederick Judd Waugh (1861-1914) (American)
The Knight of the Holy Grail (1912) (35K)
Robert Barrett Browning (1846-1912)
Before a Mirror (64K)
Charles E. Perugini
Title Unknown (c. 1878) (34K)
Girl Reading (c. 1878) (24K)
Rembrandt Peale (1778-1860) (American)
Rembrandt Peale was both remarkable for his talents and fame in his lifetime as well as the obscurity into which he fell after death. He was one of 12 children (most of whom were named after famous artists) and took up painting at a very young age. In his lifetime he produced over 1200 known works (most of them portraits) including those of several early US Presidents and other prominent figures of his time. Unfortunately, I have had a hard time finding good prints (in color) of his paintings so far (I have several black-and-white ones, but I want color ones to be published here). If anyone can point me in the direction of some scannable materials for any of the Peales, please do pass it along.
Rubens Peale With Geranium (1801) (44K)
George Washington (Sketch) (13K)
George William Joy (1844-1925)
Truth (48K)
Raphael Sanzio (1483-1520)
The School Of Athens (1510-1511) (72K) This is a very interesting painting on a number of different levels. It depicts a host of Greek philosophers in symbolic poses and in symbolic places in the scene, each somehow indicative of their philosophical positions. At the center of the painting are Plato and Aristotle, who define the central divisions in philosophical point of view. Plato points up to the heavens as an indication of what he thinks is real and important (and his hand is just outside the frame of the outside world seen through the arch). Aristotle holds out his hand gesturing at the world around him. Note that Aristotle's hand is at the geometric center of the arch in which the two stand and at the center of the whole painting as well.(Later on, I will post an exhaustive list of all of the characters in the painting, perhaps with a fancy clickable bitmap.) The faces of each of the philosophers is also taken from life, though since Raphael never knew any of the ancient greeks, he used various prominent artists of his time including himself (next to the pillar at the far right of the painting), Michaelangelo, and Leonardo (again, an exhaustive list will appear here later on.)
Saint Michael Trampling the Dragon (1518) (94K)
The Small Cowper Madonna (1505) (47K)
The Nymph Galatea (1514) (72K)
Madonna della Granduca (1505) (56K)
Gerrit Dou (1613-1675) (Dutch)Gerrit Dou was Rembrandt's first student was was later the founder of the school of "fijnschilders" or "fine painters" in Leiden.
Astronomer By Candle Light (36K)
This is a tiny painting (not much larger than this image on a big monitor) in oil on a small wood panel. It has a custom arch-shaped frame which explains the shape. Unfortunately it was almost impossible to capture the subtlety of the very dark background in the original painting in the scan. The best way to experience this remarkable little painting is to look at it in person. The original can be seen at the J. Paul Getty Museum in Malibu, California.
Return to Brian Yoder's Art Gallery and Critic's Corner
Go back to Brian Yoder's Home Page